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Posts Tagged ‘wavepoolmag photographer series’

image of surfer at urbnsurf by Oscar Rath of Rath Visuals

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WavePoolMag Photographer Series: Oscar Rath of Rath Visuals

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Oscar Rath is an enthusiastic videographer/photographer who splits time between Melbourne and Canada. His Instagram is a barrage of epic snow adventures and electric blue wave pool sessions. A forced COVID lockdown helped hone his photography chops and led to doing video edits for Urbnsurf. So how did his dream wave pool job come to be? Let's dig in and

Oscar Rath is an enthusiastic videographer/photographer who splits time between Melbourne and Canada. His Instagram is a barrage of epic ...Continue ›

photo profile of Roo

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WavePoolMag Photographer Series: Simply “Roo”

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While you'd be forgiven if you confused today's Instagram with Tic Tok. Insta was once a fertile ground for photographers to show their work, but with each 15-second choreographed Tik Tok dance, we move further away from a platform once dominated by stills. Recently we scrolled through a few beautiful images of The Wave in Bristol and thought, "hey, amazing

While you'd be forgiven if you confused today's Instagram with Tic Tok. Insta was once a fertile ground for photographers ...Continue ›

surf lakes sunset by andrew shield

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WavePoolMag Photographer Series: Andrew Shields

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Andrew Shields, or "Shieldsy" as everyone referred to him when we met in Australia this year, is part of an elite crew of career surf photographers. It's a tough gig, we know, schlepping gear around the world to photograph the world's best in the world's most beautiful locations. And it takes a certain perseverance, stubbornness, talent, lack-of-smarts, vision and everything

Andrew Shields, or "Shieldsy" as everyone referred to him when we met in Australia this year, is part of an ...Continue ›

dany taylor image from surf lakes

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WavePoolMag Photographer Series Episode 3, Dany Taylor of Surf Lakes

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Making salted surf look magnificent, ethereal, moody and mythical is rather easy given that it’s, well, the ocean. Giving something human-made a nature-made aura is one of the biggest challenges in photography. No dolphins, salt spray, Technicolor reefs or random imperfections. Wave pools are just stick-to-the-blueprint trappings of measured water and machine output. But to make them appear natural? That

Making salted surf look magnificent, ethereal, moody and mythical is rather easy given that it’s, well, the ocean. Giving something ...Continue ›

surfer as seen from underwater

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Shooting the American Dream wavepool with Dylan TerMorshuizen

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Dylan TerMorshuizen has done most of his photography in the tropical wilds of South Sumatra and the cold slabs of Ireland. That is, until a recent trip to America that is producing stellar images from a very unique and controlled environment. TerMorshuizen recently took a dip in the American Dream Mall in New Jersey to shoot the wave menu for

Dylan TerMorshuizen has done most of his photography in the tropical wilds of South Sumatra and the cold slabs of ...Continue ›

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WavePoolMag Photographer Series Episode 2, Vic & crew at Snowdonia

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As wave pools expand across the globe, we're finding the art of surf photography keeps its footing within surf culture. No easy task, as wave pool surf photography could easily devolve into crass turnstile point-and-shoot. We fear the surfing equivalent of a rollercoaster drop-shot, those blurry TV monitor images you see exiting the ride. Consequently, we were a little apprehensive

As wave pools expand across the globe, we're finding the art of surf photography keeps its footing within surf culture. ...Continue ›

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WavePoolMag Photographer Series Episode 1, Rob Henson of BSR

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Digital pixels are free and easy compared to the film days of shooting a 36-frame-roll, changing film (and possibly missing the set of the day) then trudging off to get it developed - never really knowing if you had scored the goods. In a way, wave pools are to surfing what digital is to photography. Yes, it’s so much easier,

Digital pixels are free and easy compared to the film days of shooting a 36-frame-roll, changing film (and possibly missing ...Continue ›